![]() ![]() As with the previous editions, image quality is very good in all respects, although the overall zoom range is pretty modest. It works well on the whole, but you have to be careful not to nudge the focus ring accidentally. This gives you the option of switching between autofocus and manual focus modes simply by clicking the focus ring forwards or backwards. It certainly looks more modern but retains Tokina’s usual ‘One-touch Focus Clutch’ mechanism. The ‘i’ stands for ‘interactive’ mutual communication between photographer and lens. ![]() The Mark II edition of the Canon-mount lens had minimal changes to the multi-coatings, but the latest ‘atx-i’ edition looks and feels rather different. ![]() It came with a solid construction, typical of Tokina’s high standards of build quality. ![]() Tokina’s first ATX 11-16mm was something of a trailblazer, bringing ultra-wide viewing to APS-C format Canon DSLRs, coupled with a fast and constant f/2.8 aperture. Push-pull focus ring can be switched accidentally Read our full Laowa 12-24mm f/5.6 review for more details. As long as you are aware going in that you're not going to get the crystal-clear sharpness of a lens with a four-figure price tag, this is a solid budget choice. The f/5.6 maximum aperture can be a little restricting too. It does well at the widest settings, producing images that are crisp and clear, but when we zoomed in to 24mm, we noticed a distinct lack of sharpness. In our review, we found the Laowa 12-24mm f/5.6 to be optically somewhat lacking. Also, its moderately convex front element means you should be able to attach regular filters, which is not exactly common for wide-angle zooms. The Laowa 12-24mm f/5.6 has no image stabilizer, or any ability to communicate with a camera at all (its 'dumb' design means you're on your own), but it does provide an effective wide-angle perspective at a much cheaper price than Canon's own-brand RF lenses. There aren't a lot of budget options for RF users (yet), so if you're looking for a relatively low-cost lens, this manual-focus optic from Laowa is worth a look. So, here are the best Canon wide-angle lenses for both APS-C and full-frame DSLRs, EOS M mirrorless cameras, and the flagship EOS R series… So, while you've got some of Canon's premium optics in the mix, there are also plenty of more budget-friendly alternatives from third-party manufacturers like Sigma, Tamron, Tokina and Laowa. Also, users of EOS M or APS-C DSLRs (EF-S) should be aware that the crop factor will affect the perspective of the lens, and if you use a full-frame wide-angle lens on an APS-C camera, you'll lose some of the effect a 17-40mm full-frame EF lens will behave like a 27-64mm lens on an APS-C camera.įor this guide, we've made sure to pick out lenses for a range of budgets. Naturally, DSLR users with the EF and EF-S lens mounts will have the most choice, as the ranges for EOS M and RF mirrorless cameras are a lot less expansive. We've picked out the best wide-angle lenses for all Canon systems. Short focal lengths also introduce a large depth of field, which lets you keep the whole image plane as sharp as possible. They can be used to great creative effect, letting you recede the backdrop of an image and dramatically separate the main subject in the foreground. A wide-angle can be great for travel photography, for instance, allowing you to accentuate the drama and scale of tall landmarks or dazzling interiors. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |